top of page

Around, Above, Below

On View: October 15th to October 28th, 2026
Opening Reception: October 15th, 6 - 8 pm

FOR IMMEDIATE RELEASE

 

(New York, NY — October 7th, 2026) — Van Der Plas Gallery is pleased to present Around, Above, Below, a group exhibition bringing together artists selected through the gallery’s recent open call. Located in New York’s Lower East Side, Van Der Plas Gallery continues its commitment to providing a platform for emerging and independent artists and introducing new voices to its program.

 

Bringing together painting, printmaking, mixed media, sculpture, and other approaches, Around, Above, Below reflects the individuality of each participating artist while finding common ground in a shared curiosity about space and the ways physical surroundings intersect with perception, sensation, memory, and emotion.

 

Rather than presenting a single point of view, the exhibition embraces contrast. Precise craftsmanship sits alongside loose, dreamlike intuition, while artists push materials and genres in unexpected directions. Across the exhibition, space becomes more than a physical setting: it can be compressed, layered, remembered, imagined, or emotionally charged, shifting alongside the figures and objects that inhabit it.​​

Marcia_Liu_The other side_2023.jpg

The Other Side (2023)
Marcia Liu

Monotype on paper
22" x 30"

​

Shanghai-born artist Marcia Liu constructs a surreal landscape in The Other Side through delicately layered monotype impressions. Translucent textures and flattened areas of color establish depth while simultaneously disrupting it, creating a tension between space and surface. Human and animal figures appear among fragments of landscape and architecture, occupying an environment that feels familiar without belonging to any particular place. Through the monotype process, forms overlap, disappear, and leave traces of what came before, allowing multiple moments and spaces to coexist and blurring the boundaries between the observed, remembered, and imagined.​

​​​

Koval_Boundary Condition (Red) (1).jpeg

Boundary Condition (Red) (2026)
Margaret Koval
Oil through Linen
20" x 20" 

​​​

Margaret Koval’s Boundary Condition (Red) places a partially obscured figure within dense foliage and flowers, while a chain-link fence compresses the foreground. These physical and visual barriers complicate the relationship between viewer and subject, creating an atmosphere that feels simultaneously enclosed and secure. Koval paints from behind loose-weave linen, pushing oil paint through the fabric so that the image emerges on the opposite side, transformed by the surface through which it passes. The work explores the uncertain boundary between protection and confinement, bringing the built and natural worlds into a compressed space and leaving the figure suspended between them.

​

0eceab_1e9e8e83652c47cab92c8b483ea0f152~mv2.jpg

Daisy or Dorothy (2026)
Frances Kadushin
Screen Print Collage, Oil, Mulberry Paper, Construction Paper
9" x 12"

​​​

In Daisy or Dorothy, Kadushin combines screen print collage, oil, mulberry paper, and construction paper to build a fragmented environment around the image of her late grandfather. The figure, with the quality of an old newspaper clipping or photograph, stands in contrast to a loosely constructed landscape of bold color, flattened architecture, and tactile, assembled surfaces. Interior and exterior become indistinguishable, giving the work the feeling of a place reconstructed through memory rather than observed directly. The piece reflects Kadushin’s ongoing response to the loss of her grandfather and his longing for her grandmother, Daisy, near the end of his life. Through its mixture of materials, perspectives, and visual languages, Daisy or Dorothy turns personal memory into a space of its own, where home, absence, grief, and comfort can occupy the same image.​

​

Artist Biographies:

​Constantin Botezat

Based in London, Constantin Botezat works primarily in oil on canvas, exploring the relationship between people, place, memory, and identity. Born in Moldova, he began his formal artistic training at the Igor Vieru Academic Lyceum of Fine Arts in Chișinău before continuing his education in Romania. His expressive paintings, characterized by rich color and atmospheric settings, have been exhibited internationally in London, New York, Los Angeles, Paris, Lisbon, Italy, Romania, and Moldova.

​

Carla Caletti

Abstracted and otherworldly figures serve as recurring points of connection in Carla Caletti’s interdisciplinary practice. Working across painting, sculpture, installation, and street art, she explores relationships between people, places, and the physical and spiritual worlds. Originally from California, Caletti has lived and worked across the United States and is now based in New York City.

​

Bryant Chitsey

Working across printmaking, paper, and sculpture, Bryant Chitsey examines ideas of home and place through stylized imagery drawn from his upbringing in Oklahoma and the Great Plains. His work considers how place shapes perception and cultural identity. He holds a BFA in Graphic Design from Oklahoma State University and is currently pursuing his MFA in Printmaking at the Rhode Island School of Design.

​​​​

Monica Costantino

Drawing connections between art, psychology, spirituality, science, and the natural world, Monica Costantino creates layered mixed-media works that explore relationships between seemingly opposing forces. Organic forms, bodily structures, geometric patterns, and topographic elements overlap within her compositions, creating visual systems where interior and exterior, structure and fluidity, and the visible and unseen begin to dissolve. Costantino is based in New York, where she also works as an integrative psychotherapist.

​

Thomas Cox

Thomas Cox is a New York-based artist who earned his BFA from the University of Minnesota and spent seven years collaborating with artists including Jasper Johns, Helen Frankenthaler, and Robert Rauschenberg at Universal Limited Art Editions. His practice combines abstraction with an interest in human rights and political issues, drawing inspiration from his travels throughout the Middle East and North Africa.

​

Timothy Crawford Wilson

A painter and poet based in Harpswell, Maine, Timothy Crawford Wilson works across painting, drawing, pastel, watercolor, jewelry, woodworking, and leather craft. He holds a BA from Bowdoin College and an MFA in Painting and Drawing from Parsons School of Design, with additional studies at the New York Studio School, Pennsylvania Academy of the Fine Arts, Skowhegan School of Painting and Sculpture, and the Art Students League of New York. His work draws from a wide range of historical and cultural influences, including Renaissance, Expressionist, Impressionist, Modernist, Korean, and Indigenous traditions.

​

Robert Evangelista

After growing up in Italy and returning to the United States for his artistic education, Robert Anthony Evangelista earned his MFA from Yale University. His practice has moved between painting, printmaking, drawing, and silkscreen, with his recent work combining personal drawings, photographs, textural layering, and collage. He is also an art educator in Queens, New York, where his work continues to draw from the everyday realities of urban life.

​

Cindy Franz

For Cindy Franz, painting becomes a way to work through feeling, memory, and personal experience while investigating how figures and forms occupy space. She studied at Barat College of DePaul University, the New York Studio School, and Greenwich House Pottery. Her work has been exhibited extensively in New York, including at Van Der Plas Gallery, as well as internationally at Gallery Begin in Kyoto.

​

Ryan Glovna

Influenced by abstract, primitive, and folk art, Ryan Glovna creates paintings and sculptures that combine intuitive processes with imagery of humans and animals. His work often begins without a fixed plan, allowing the material itself to guide the development of form and narrative. Based in Connecticut, Glovna’s work invites viewers to find their own interpretations within his open-ended compositions.

​

Alejandro Guanche

Born in Havana in 1991, Alejandro Guanche is a painter whose practice explores perception, observation, and the relationship between people and their surroundings. He studied at the National Academy of Fine Arts San Alejandro and later worked as a Museology Specialist at the National Museum of Fine Arts in Havana. He currently lives and works between New York and New Jersey.

 

Christopher Hart Chambers

Born in Manhattan in 1960, Christopher Hart Chambers is a lifelong New York City artist whose practice emerged from the city's early street art scene. He gained recognition for installing original works throughout the streets of New York and later founded the street art collective AVANT and co-established the B.A.D. Museum. Alongside his artistic practice, Chambers has written for numerous art publications, curated approximately fifty exhibitions, and exhibited his work internationally, with pieces held in collections worldwide.​

​

Ona Hauert

Photographs of interiors serve as a starting point for Ona Hauert’s paintings, but the finished works move far beyond their original sources. Through flattened planes, bold color, pattern, and intuitive mark-making, she explores the feeling of belonging and the idea of home. Her spaces are simultaneously playful and overwhelming, inviting viewers in while questioning whether these environments could ever truly be inhabited.

​

Shaun Haugen

Through painting and drawing, Brooklyn-based artist Shaun Haugen investigates the optical and psychological effects of color, pattern, and geometric structure. His precise compositions are rooted in personal experiences of fleeting visual phenomena, translating flashes of color and light into rhythmic arrangements of lines and forms. Haugen received his BFA from Texas State University and MFA from Pratt Institute, graduating with distinction.

​

Gaelle Hintzy-Marcel

Balance, movement, and human connection form the foundation of Gaelle Hintzy-Marcel’s sculptural practice. Working with steel, wood, pewter, resin, plaster, and textiles, she brings contrasting materials together to create tension, dialogue, and unexpected forms. Her experiences living in France, Indonesia, Russia, India, and the United States have informed a practice that moves between figurative and abstract forms, with recent exhibitions in New York and Paris.

​​​​

Bryson Iacoboni

With a background in architecture, Bryson Iacoboni approaches painting through an understanding of how people occupy and move through built environments. Working primarily with paint and collage, he constructs layered scenes influenced by architecture, skateboarding, and everyday visual culture. He earned degrees in architecture from the Catholic University of America and Boston Architectural College and currently lives and works in Maryland.

​

Kendra Jones

At 18, Brooklyn-based painter Kendra Jones is developing an abstract practice centered on the emotional realities of contemporary life. Her work engages with questions surrounding capitalism, identity, youth, and the uncertainty of navigating the world as a young queer artist.

​

Frances Kadushin

Memory, grief, and the spaces associated with home are central to Frances Kadushin’s paintings. Following the death of her grandfather, she began creating works based on the rooms, windows, and familiar spaces connected to him, transforming personal memories into psychological landscapes. Recurring imagery such as yellow daisies, windows, doorways, and distant skies becomes a visual language for loss, remembrance, and peace.

​

Myung-Sik Kim

Born in Seoul in 1949, Myung-Sik Kim has maintained an international painting career spanning more than four decades. He served as a professor of Fine Arts at Dong-A University in Busan and has presented more than 50 solo exhibitions throughout Asia, Europe, Australia, and the United States. His work has been shown at major international art fairs and is held in collections including the National Museum of Modern and Contemporary Art of Korea, Leeum Museum of Art, Samsung, LG, and other major institutions and corporations.

​

​

​​

Margaret Koval

Working from behind loose-weave linen, Margaret Koval pushes oil paint through the fabric so that the image emerges on the opposite side through an obstructed and partially uncontrolled process. The resulting paintings often place figures behind fences, vegetation, or other barriers, creating a tension between seeing and understanding. Before becoming a full-time painter, Koval worked as an Emmy Award-winning television journalist and documentary filmmaker, an experience that continues to inform her interest in images and their ability—or inability—to communicate truth.

​

Marcia Liu

​Shanghai-born artist Marcia Liu is based in Rochester, New York, working primarily across printmaking and sculpture. Her practice explores the relationships between memory, perception, and imagined environments through layered compositions and experimental printmaking techniques. Liu holds degrees from Shanghai University and Rochester Institute of Technology, where she has also taught printmaking, and has exhibited internationally, with work featured in publications including The Hand Magazine and Al-Tiba9 Contemporary Art Magazine.

​

Doria Manoel

For Brazilian artist and architect Doria Manoel, the line functions as both a visual and structural language. Working across ink, graphite, printmaking, digital design, and large-scale architectural interventions, he explores how accumulated lines can generate volume, movement, and space. His work has been exhibited internationally, including in Brazil, Portugal, and Egypt, and reflects his architectural approach to the relationship between drawing and physical space.​

​

Robert De Matteo / RD Charlandism

Working under the name RD Charlandism, Robert De Matteo creates paintings rooted in personal history, local landscapes, and narrative imagery. He is the creator of the Charlandism style and Pennies From Heaven series, and his work has been recognized in juried exhibitions throughout Connecticut. Recent honors include awards from the Lyme Art Association, Madison Art, and the New Haven Paint and Clay Club.

​​​

Margaret McCann

Margaret McCann’s career spans painting, teaching, writing, and curatorial work. She has presented solo exhibitions in Milan, New York, and Chicago, with her work receiving coverage in publications including La Repubblica, Corriere della Sera, and the Los Angeles Times. She studied at Yale University, Washington University in St. Louis, and the New York Studio School, and has received awards and residencies including a Fulbright and the Ingram Merrill Foundation Award.

​

Caitlin McCormack

Philadelphia-based fiber artist Caitlin McCormack transforms traditional textile processes into intricate sculptural forms. Their work has been exhibited at Hashimoto Contemporary, The Mütter Museum, The Taubman Museum of Art, The Fort Wayne Museum of Art, and numerous galleries and art fairs across the United States. McCormack has also participated in artist residencies including the Vermont Studio Center, Monson Arts, and the Wassaic Project.​​

​

​Arezoo Moseni

Arezoo Moseni’s multidisciplinary practice has been exhibited extensively throughout the United States and internationally, with her work held in collections including the Brooklyn Museum, Library of Congress, Bibliothèque nationale de France, and several university and museum collections. She holds an MA and MFA from the University of New Mexico and an MLIS from Pratt Institute. Her career has been supported by numerous grants, fellowships, and residencies, including Artists Space, the Saltonstall Foundation, and Yaddo.

​

Thisbe Nissen

Working primarily with upcycled, thrifted, and reclaimed materials, Thisbe Nissen brings together quilting, collage, photography, and writing. A professor of Creative Writing and the author of six published works of fiction, she is transitioning from academia to a full-time studio practice. She lives on a farm in southwest Michigan, where her surroundings and everyday life inform her multidisciplinary work.

​

Frank Oudeman

Photography becomes a space for experimentation and transformation in Frank Oudeman’s work. Using multiple exposures, reflective Plexiglas, and modifications to his camera, he fragments recognizable scenes and combines different perspectives, spaces, and moments within a single image. Based in Brooklyn, Oudeman is interested in photography’s ability to make familiar environments strange and encourage a more active way of seeing.

​

Leo Psaros

Working between painting, sculpture, and furniture design, Leo Psaros explores the relationship between flatness, dimensionality, and material. His practice challenges the boundaries between painting and object, pushing images beyond the traditional picture plane while finding elements of flatness within sculpture. Psaros is based in New York and recently received his MFA from the New York Studio School.

​​​​​

Reda Rackley

Raw, layered, and deeply personal, Reda Rackley’s paintings explore femininity, mythology, healing, and the experiences of women living on the margins of society. Her practice incorporates acrylic, wood, canvas, and metal, often combining flattened color with scratched and worked surfaces. Influenced by years spent studying traditional healing and ritual in African communities, Rackley’s current work focuses on honoring homeless women in the United States, with proceeds donated to Gathering for Women in Monterey, California.

​

Michele Riche

After working in nonprofit development, Michele Riche returned to painting through formal study at the School of Visual Arts. Working primarily in oil on canvas, she creates representational paintings grounded in careful observation. Her work has been exhibited at institutions including the Mattatuck Museum, where she received Best in Show in 2019 and later presented a solo exhibition.​

​

Diane Rosen

Trained at the Art Students League in New York and the École des Beaux-Arts in Paris, Diane Rosen creates figurative paintings that look beneath surface appearances to explore psychological and emotional experience. Influenced by Degas and Japanese Ukiyo-e prints, her compositions often use asymmetry and bold planes of color. Rosen is a Master Pastelist of the Pastel Society of America and has exhibited widely in the United States and internationally.​

​

Mae Sevick

Chance and discovery are central to Mae Sevick’s painting process. The New Jersey-based, self-taught artist creates compositions through unexpected encounters between water and paint, allowing materials to shape the final image. Her work is also informed by her experience with visual-spatial processing, giving her a distinctive perspective on proportion, depth, and visual perception.​​

​

Yeachin Tsai

Drawing from Chinese calligraphy, traditional approaches to space and time, and Western abstraction, Yeachin Tsai creates dynamic paintings driven by rhythm and gesture. Working with ink, acrylic, and oil on paper, canvas, wood, and fabric, she explores movement, light, atmosphere, and the invisible forces within nature. Based in Troy, New York, Tsai has exhibited extensively in the United States and internationally, including in Taiwan and Japan.

​

Xiya Wang

Moving between observation and abstraction, Xiya Wang approaches painting as a process of experimentation and discovery. Based in New York, she works across oil painting, printmaking, and drawing, combining classical training with spontaneous gesture and material exploration. Wang studied at Rutgers University and the Art Students League of New York, where she received the Merit Scholarship in Painting in 2026.

​

Amy Yoshitsu

Based in Berkeley, California, Amy Yoshitsu works across sculpture, design, collage, and socially engaged art. Their practice explores materiality, transformation, and the relationships between individuals and their environments. Yoshitsu studied Visual and Environmental Studies at Harvard University and has exhibited throughout the United States, with work featured in publications including ARTnews and Harvard Magazine.

​

Kaylee Zhang

Currently studying Fine Arts at Cornell University, Kaylee Zhang draws from her experiences navigating dense and constantly changing urban environments. Her work explores emotional conflict, youth, and the social realities concealed beneath everyday appearances. At 18, Zhang has already presented a solo exhibition in Beijing and has exhibited internationally, including at the United Nations Office in Vienna and UNESCO EduWeek in Paris.

Selection of Images:

bottom of page